The Rundown: Justin Timberlake, The 20/20 Experience
Does his first LP in six years live up to the nonstop hype?
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The Rundown: Justin Timberlake, The 20/20 Experience - The 20/20 Experience, Justin Timberlake's first album in six years, lived up to its title before it even hit stores today, March 19. The album, produced by JT's favored collaborator, Timbaland, was unveiled with one of the slickest promotion campaigns in recent memory, beginning with an online countdown and culminating in a seemingly endless round of TV performances on Saturday Night Live and Late Night With Jimmy Fallon. But what about the actual music? Does it match up to the relentless hype behind it? Read our track-by-track review of The 20/20 Experience to find out. —Alex Gale (Photo: RCA)
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"Pusher Love Girl" - The album begins with a lush, climactic, string-laden intro that drops to one of Timbaland's signature vocal noises — a fitting intro to the double-sided sonics here, at one moment classic soul, the next future-pop. Every other song on this album is a straightforward metaphor about love. Here, Justin's significant other is a drug dealer and so the lyrics include a bizarre MDMA shout-out, but Justin's perfectly delivered falsetto and Tim's bluesy, vocoder-driven beat help you overlook it. Like the songs that follow, this track stretches past five minutes, into a glitchy outro that overstays its welcome a bit. (Photo: Christopher Polk/Getty Images for DirecTV)
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"Suit & Tie" feat. Jay-Z - While this single still sounds just as optimistically smooth and pleasant as when it came out, the more experimental sonics elsewhere on the album make "Suit & Tie" seem a little prosaic in comparison. Jay still shines though — unlike the "B---h Don't Kill My Vibe" remix, he didn't have to contend with Kendrick Lamar. (Photo: Christopher Polk/Getty Images for NARAS)
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"Don't Hold the Wall" - Timbaland goes there — that amazing, otherworldly musical place it sometimes seems only he can go — on "Don't Hold the Wall." Galloping Eastern percussion, cricket sounds, exotic vocal samples, high-pitched voices and a blues guitar riff float in and out in perfect coordination. Justin is almost just window dressing here, which suits the well-worn lyrical ground just fine. (Photo: Kevin Winter/Getty Images)
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"Strawberry Bubblegum" - The second longest song on the album at eight minutes, but here every second is well used. The lyrics can again approach the prosaic — "Don't ever change your flavor 'cause I love the taste" — but the music and melodies are anything but. There are two movements here, the first recalling Prince at his creepiest, while the second spills Stevie, with a joyful Rhodes melody riding a moog bass line. There's even a sly NSYNC reference ("pop!"). It all adds up to the album's funkiest moment. (Photo: Theo Wargo/Getty Images)
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