James Brown: The Soulful Symphony of a Legendary Life
We're honoring the timeless rhythms of the Godfather of Soul on what would have been his 90th birthday.
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James Brown was, without question, one of the most influential music artists of the last half century. He was an innovator of soul music and the master pioneer of funk. His body of work (both as a dancer and producer) helped birth hip hop music and dance. His influence as an entertainer spans the world from Fela Kuti to Bob Marley to Michael Jackson. Brown passed away in 2006 at the age of 73, but today would have marked his 90th birthday. Here's a look at the career highlights of the hardest working man in show business.
Photo By (Photo by Rita Barros/Getty Images)
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After scoring several hit singles with the Famous Flames, including "Please, Please, Please" (1956), "Try Me" (1958) and "Night Train" (1962), James Brown bankrolls a live recording of his performance at the famous Apollo Theater. Convincing a reluctant Syd Nathan, head of King Records, to back a live LP, James released his first album Live at the Apollo in 1963, which becomes an instant hit. (Photo: Polydor Records)
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James Brown hits Billboard's pop singles charts for the first time in 1965 when he writes and releases his seminal classic "Papa's Got a Brand New Bag." Armed with an exceptionally tight rhythm, where all the instruments are being played percussively, the song is credited with being the first record to define funk as a sound and recognize it as an emerging genre. (Photo: Polydor Records)
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America witnessed the atomic power of the James Brown show as the Godfather of Soul in the concert film T.A.M.I. Show on December 29, 1964. While the showcase features successful pop acts like Smokey Robinson and the Miracles and The Beach Boys, James is undeniably the highlight and absolute show-stopper. So much so that when the Rolling Stones perform afterwards, lead singer Mick Jagger attempted an imitation of Brown. (Photo: Michael Ochs Archives/Getty Images)
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The Night James Brown Saved Boston - Already respected in Black America for his bold and empowering soul music, James Brown's sway is put to the test the day after Martin Luther King Jr.'s assassination. Scheduled to perform at the Boston Garden, James works with the city's mayor to air the concert live on TV in an effort to keep Black folks from rioting in response to King's murder. As several cities burn in Black rage, Boston is spared because Bean Town's Black citizens chose to watch (and feel pride due to) the James Brown show. (Photo: Bob Dean/The Boston Globe via Getty Images)
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Of all the cities hit by riots following Dr. King's death in 1968, Washington, D.C. was the most devastated. In the aftermath, James Brown, looked upon as a new Black leader, as a news crews follows him walking through D.C. talking to Black residents about their anger. His social influence caused Look magazine to put him on their cover in 1969 with a coverline asking, "Is he the most important Black man in America?" (Photo: Hulton Archive/Getty Images)
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While James Brown's influence grows, he is criticized by militant Black leaders like H. Rap Brown for not taking a firm stance on issues of Black empowerment. In response to his critics, the music legend writes and records the classic anthem "Say It Loud – I'm Black and I'm Proud" in the summer of 1968. The hit becomes a rallying cry for the new Black Power movement. The song is also credited for helping shift the term from Negro to Black. (Photo: Polydor Records)
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After most of his band walk out on him in 1970 because of a dispute over money, James Brown recruits a crew of young musicians called The Pacemakers. Members include bassist Bootsy Collins and his brother Catfish, both of whom would go on to become prominent members of Parliament-Funkadelic. While a part of James's band, Bootsy and Catfish further tighten the music icon's funk, making it grittier. Going forth, this sound would help give birth to hip hop music. (Photo: David Redfern/Redferns)
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With this new version of his band (now dubbed the J.B.s), James Brown cut the biggest single of this ensemble, "Get Up (I Feel Like Being a) Sex Machine" in 1970. Where James's previous songs prominently featured a horn section, this cut centers on the rhythm created by Catfish's guitar and Bootsy's bass. While the Pacemakers's time with the J.B.s lasts only a year, the union produces classics, including "Talkin' Loud and Sayin' Nothing" and "Get Up, Get Into It, Get Involved." (Photo: Polydor Records)
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After Isaac Hayes won an Oscar for doing the soundtrack of the groundbreaking blaxploitation film Shaft, James Brown jumped in the movie music making business. In 1973, he was recruited to record the soundtrack for the classic blaxploitation flick Black Caesar. The song "The Boss" would later be sampled by the rap duo Das EFX for their 1992 hit "They Want EFX." (Photo: Polydor Records)
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